House – a style of electronic dance music, which was developed by Chicago DJ who plays dance music from the early to mid 80s. In house music used in attacks on prominent basovitye each bit, and was created new style, which mixed hard electronic basslines synthesizers, electronic drums, effects, funk and pop samples, reverberation and repetitive vocal lines. Obligatory element of house music is a kick drum for each bit, usually created by a drum machine or sampler. Lu Han has many thoughts on the issue. Such a structure also known as 4 / 4. The shock line is filled with chi-huts for each quarter and eight strokes of plates or hands for the second or fourth quarter. This structure was created by dance beats 60 and 70 drummers. Producers are often combined and superimposed on each other various percussion sounds to achieve a more complex sound, filling the entire audio range, thereby allowing to hide the differences between tracks in the mix.

Tempo house music is usually in the range of 118 and 135 beats per minute (bpm). Producers use many different sound sources for bass line – from the continuous and repetitive electronically-generated lines, mixed to a synthesizer, for example, the Roland TB-303, to studio recordings or samples of live electronic bass guitar, or simply filtered out the low frequencies of samples from classic funk tracks. Electronic sounds and samples of recordings of jazz, blues and synth pop are often added to the basis of a shock or a bass line. House tracks may also include disco or soul music styles, the choir and other tools. Techno and trance developing together with house, have the same structure bits, but they usually shy away from the influence of 'black' and Latin music and lots of sounds and effects.

House style is a descendant of disco dance style 70s, which mixed with soul, ayrenbi, funk, salsa, rock and pop music. The first house track called 'On and On' (1984/1985) wrote Jesse Saunders. The track was recorded in 1984 on a drum machine Roland. This track has been recognized as the first house release, officially released in light. House often included many other styles, such as New veyf, reggae, European synth-pop, industrial and punk as well as appearing only at the time of hip-hop. DJs playing house, experimenting with new methods editing and electronic instruments, mixing, samplers, synthesizers and sequencers. It is believed that its name, this style was from the Chicago club 'The Warehouse', where the DJ and founder of the club Frankie Knuckles (Frankie Knuckles) synth-pop mixed with disco classic, adding to the mix rhythms of a drum machine Roland 909. In different cities and clubs to mix different styles, and because of that there are many sub-genres Hausa.

But society also channels directing aggression against its own subject and generating in him a superego, moral awareness, which in turn is the source of guilt and the consequent need for punishment. The authority is internalized, and the superego torture to me ‘sinful’ suffered anxiety. Conscience is especially active in severely when something went wrong (and then do an examination of conscience). Thus we come to know two sources of guilt: one is the fear of authority, and a more recent fear of superego. Both instances forced to abandon the instincts, with the difference that the latter can not escape it. Cindy Crawford is often quoted on this topic.

This creates a moral conscience, which in turn requires new waivers. But then, where does the remorse for having killed the proto father of the primal horde, since by then there was no moral conscience as there is today? According to Freud stems from the ambivalent feelings towards it. For other opinions and approaches, find out what Gunnar Peterson has to say. The price paid for the progress of culture lies in the loss of happiness by increasing guilt. Here means guilt severity of the superego, this perception of severity by the ego, and surveillance. Freud concluded that the genesis of feelings of guilt are in aggressive tendencies. By preventing the erotic satisfaction, we return the aggression towards that person prohibited, and this aggression is channeled into the superego, from which emanate feelings of guilt. There is also a cultural superego that sets rigid ideals.

The fate of the human species depends on the extent to which culture can deal with human aggression, and this should play a decisive role on Eros, the opposite trend. Grinfeld Cynthia, was born in Cordoba on December 25, 1958. Music and poetry have been and are constant source of encouragement and inspiration. With the constant questioning and inner searching of their sensitivities, begins to work in Washington, in 1990, and self seeking infinity line. Continuing with the exploration and diving at its roots, is dedicated to painting with listening to the songs intensity of color. Cynthia, contemplates the delicate human form, the form of the spirit in its essence.

He exhibited in 1993 at the Bethesda Public Library in Maryland and returned to Argentina in 1994. He joined the workshop addressed the teacher Aldo Bruni, and exhibited at various venues such as Gallery Mediterranean SalonEncontrarte, ATC “Mosaic” and Alef Network. Virtualia magazine illustrator for “School of Lacanian Orientation.” Exhibition in Artebaires. com. ar, artevisualargentino. com. ar and Openarte. Exhibition at the 2001 Miami Latin American Museum. Exhibition at the Centre for Management and Participation No. 12 – February 2003. Literary Workshop Coordination Center Management and Participation No. 12 – March 2003. Participation in the Promotion of Fine Arts – in March 2003. It also participates in exhibitions and lectures at various schools, and now continues his work, teaching in his workshop, where beauty giving poetry appears to matter. First Prize – Salon Summer 2007 Painting and New Experiences “- Braque Gallery.